A Call to Darkness
Sara/Grissom, 1863 words, PG-13,
Leaving this city meant leaving Grissom behind.
Part 1

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A Call to Darkness
Sara/Grissom, 1620 words, PG-13,
Leaving this city meant leaving Grissom behind.

( ... )

there in the echo, can't you see it?
534 words, PG-13,
There’s a story she wants to tell and it goes something like this

( ... )

Lead Away From Camelot
House, Cameron, Wilson, PG-13, 1013 words, "finding judas, merry little christmas, human error"
You were either going to help me through this or you weren't.
Part 1 | Part 2

( ... )

Lead Away From Camelot
House, Cameron, Wilson, PG-13, 1055 words, "finding judas, merry little christmas, human error"
You were either going to help me through this or you weren't.
Part 1

( ... )

Lead Away From Camelot
House, Cameron, Wilson, PG-13, 1074 words, "finding judas, merry little christmas, human error"
You were either going to help me through this or you weren't.

( ... )

Forever in the End
Ten, Rose/Ten, 670 words, PG-13,
He wonders if she can feel the weight of his lies.

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Mercy On Us
Rose/Ten II, 1159 words, PG-13,
Sometimes she talks about Torchwood and the early years of her new life. How she had drifted until she found a purpose.

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In Four Parts
Jackie Tyler, Mickey Smith, Nine/Ten, Rose Tyler, 1113 words
She doesn’t realize what this is doing to me and I think I hate her a little for that.

( ... )

Truth In Those Lies
House/Cameron, Chase/Cameron, PG-13, 966 words, "need to know, the mistake"
There’s a story here, a simple one with a beginning and middle. She’s still working out the ending.

( ... )